The places and people embedded within the works, however, are suffused with social and political significance. Using imagery taken from his own photographs as well as those gleaned from the internet, the artist’s works connect to some of the global news stories that have filled our screens in recent months. Mariño's recent worksare rooted within some of the stories of migration that many people have undertaken in search of a new life – enormous and dangerous journeys made across land and sea. The image of the traveller or wanderer that can be found within the paintings make reference, then, not only to these individuals but to Mariño’s own movements as he has re-settled in a number of countries with very different landscapes, climates, cultures and populations.
Mariño builds up each of his paintings with multiple layers of oil paint. Each begin with a foundation of cadmium yellow or orange, painstakingly layered until a vibrancy is achieved. Though oil paint has a long history within art practice, Mariño likens the colours he works with to those that can be found in films, video games and advertising – super-saturated digital colours that fizz and pop and very much connect to our contemporary way of viewing the world. Colour is essential to the work. Indeed, Mariño has described painting as an idea that uses colour in order to think.
Armando Mariño was born in Cuba and now lives and works in New York. He studied art in Havana and Santiago de Cuba in the 1980s and 1990s, and at Rijksakademie van Beeldende Kunsten in Amsterdam between 2004 and 2005. He has since exhibited his paintings all over the world including solo and group exhibitions in Paris, Ontario, Copenhagen, Madrid and Miami among other cities. Mariño has won numerous awards for his paintings and his work is held in such notable collections as that of Deutsche Bank, De Nederlandsche Bank, The Coca Cola Foundation and other significant public and private collections in Europe, Central America and the USA.