Wright's paintings are developed from a variety of sources. Drawings are made from life and (if necessary) from reproductions of historical paintings such as those by the eighteenth-century painters Pietro Longhi and Jean-Antoine Watteau and, most importantly from repeated drawing expeditions to study works in place at historical collections held by institutions like the National Gallery and the Wallace Collection. Following these initial studies, ideas are then worked through in rigorous and intuitive drawing sessions, using different materials on different scales, both on paper and canvas. Her remarkable drawing skills and deft handling of paint are apparent in the use of thick, rich, buttery strokes, descriptive drips of paint, looser brushwork and extremely delicate, fine detailing. The effect is emphasised by Wright's careful balancing of both figurative and abstracted elements, while her remarkably vivid and saturated palette locates the subjects in the present moment.
After studying at The Royal Academy Schools, London, 1990-1993, Wright relocated to Cornwall, where she currently lives and works. Wright has exhibited in numerous solo and group exhibitions, such as at Tate St Ives in the significant 'Art Now Cornwall' exhibition. Her work is held in many corporate and private collections and she was artist in residence with the Royal Shakespeare Company throughout the two year period of their ' Histories' cycle, culminating in an exhibition at the Roundhouse, London. Wright's work has been selected for the Royal Academy's Summer Exhibition for the last twenty two years. Awards include the National Open Art Prize, the Hunting Art Prize and, most notably, the Threadneedle Prize in 2013.