Adam Dix - Gatherings

Overview

Saturday 20th - Friday 25th April - Open daily 12:00 - 6:00

Private View Friday 19th April 6;00 - 8:00

17 Midland Road, Old Market, Bristol. BS2 0JT

 

Interweaving propaganda, cultural tradition, communication technology and cultural gatherings Dix explores the collective sense of society and belonging in an age when technology and humans are increasingly entangled. Satellite dishes, screens and transmission towers are recurring focal motifs in Dix’s paintings indicating societies reliance on communication using a myriad of communications technology. 

 

Human gatherings are depicted alongside the technological apparatus, children playing computer games, scientists interpreting data, and costumed gatherings reminiscent of village green traditions. Dix’s work poses questions about society, tradition and the increasing web of technological connectivity.

 

Very much influenced by computers, cinema and mobile phones Dix references the back lit, shallow depth of field of the screen by building up layers of translucent oil glazes with brushes and stencils. The overlapping glazes create areas of interference typical of earlier screen technology. Recent backlit stained glass work also infers screen technology.

Installation Views
Works
  • Screenshot 2024 01 30 At 13 50 21
  • Clack Adam Dix
    Adam Dix, Clack, 2022
  • Ensemble Adam Dix
    Adam Dix, Ensemble, 2021
  • Silent Signs Adam Dix
    Adam Dix, Silent Signs, 2020
  • Stare Adam Dix
    Adam Dix, Stare, 2022
  • Shepard's Delight Adam Dix
    Adam Dix, Shepard's Delight, 2022
  • Distant Drums Adam Dix
    Adam Dix, Distant Drums, 2018
  • Vessel Adam Dix
    Adam Dix, Vessel, 2018
  • Adam Dix, Corn Doll (Aloft), 2015
    Adam Dix, Corn Doll (Aloft), 2015
  • Adam Dix, Performer, 2014
    Adam Dix, Performer, 2014